Lamentations
in Abingdon Old Testament Commentaries
Pages
176 pages
Publisher
Abingdon Press
Published
5/1/2003
ISBN-13
9780687084616
Bergant's commentary opens to students and pastors the visceral poetry of Lamentations, a book that plumbs the depth of biblical Israel's despair over the destruction of Jerusalem. The security of Jerusalem signaled divine protection of the whole nation, so Jerusalem's destruction was perceived as a sign that God had abandoned the entire people. The book of Lamentations is a cry to God for mercy. The horrors detailed within its five short chapters reveal the extent of human cruelty and the resiliency of the human spirit to endure such cruelty. Unlike many biblical books, Lamentations ends on an unresolved note. Will God eventually hear the cry of the people? Will God, as in days gone by, step in with mercy and salvation?
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Reviews
Bergant's AOTC Lamentations is readable and literarily sensitive, but contains problems serious enough to warrant caution. Most concerning is a persistent pattern of framing God's character negatively: she dismisses omniscience and omnipotence as "not really biblical" (a claim contradicted by Ps 139, Jer 32, and her own subsequent exegesis); she labels God's actions in chapter 3 "divine brutality" as her own theological verdict rather than as the sufferer's lament rhetoric; she repeatedly asks whether God's punishment was "excessive" or "vindictive," which cuts against the text's own declaration that "the LORD is in the right" (1:18); and she flatly asserts that "the voice of God is never heard" in the book, overlooking 3:57 where God explicitly speaks ("Do not fear"). Other unusual moves include raising — as a genuine open question — whether the mothers who cannibalized their children were morally wrong, apparently finding the mothers' intent to survive a mitigating factor, whereas every other commentary treats these passages (Lam 2:20; 4:10) with unambiguous horror as the nadir of devastation and the covenant curses of Deuteronomy 28 in their most extreme form. She also states a methodological commitment to avoid historical presuppositions that she then ignores throughout. These tendencies are compounded by a selective bibliography that omits significant pre-2003 evangelical works (Harrison TOTC, Kaiser, Huey NAC), meaning perspectives that read Lamentations within a robust doctrine of God — affirming divine justice, covenant faithfulness, and the ultimate goodness of God's discipline — are largely absent from the conversation and contribute to the commentary's overall theological tilt. Useful as a supplementary voice on poetic structure, but a poor first choice.
Fits somewhere between introductory/popular level and semi-technical commentary. User-friendly, but still sufficiently detailed. Focuses considerable attention on the raw emotional power of the dramatically worded poetry.